Create and save elliptical gradients with full or partial transparency. Learn to use the interactive Gradient tool and Gradient panel. Presented by Deke McClelland. For Help & Support on Illustrator, visit www.adobe.com
Part 2 CSS Layout with Adobe Dreamweaver CS4
“Watch the entire course at www.lynda.com Join senior staff author James Williamson for an introduction to the latest features and enhancements to Adobes web design and development software. Dreamweaver CS5 New Features covers the improved CSS workflows of CSS Enable and CSS Inspect, integrated services with CS Live, and the program’s support of popular content management system (CMS) frameworks such as Drupal, Joomla!, and WordPress.”
muqus.com InDesign CS5. Tutorial. Working with documents. (1 of 6) * Adobe InDesign CS5 software provides precise control over typography and built-in creative tools for designing, preflighting, and publishing documents for print, online, or to mobile devices. * Build powerful documents as a team. New integrated tools and the availability of efficient online services make review processes more efficient, whether your clients and colleagues are across the hall or around the world. * Create, edit, and publish documents faster. A wealth of new productivity features help make page layout simpler, easier, and speedier. * Engage, inform, and attract readers with documents that include interactivity, animation, video, and sound. Develop stronger, more compelling communications with rich interactive documents. * Move projects smoothly from design to print or digital output thanks to tight integration with industry-leading Adobe solutions such as Photoshop, Illustrator, Acrobat, and Flash Professional. You can find a cheaper version of the product here http
Perhaps the best tool in Photoshop CS5? You be the judge. Colin Smith shows you how easy it is to create high quality cutouts. He takes a photo of a woman and then removes her and places her into another photograph. So quick and easy!
Adobe Creative Suite 5 Design Premium How-Tos: Working with Illustrator
There’s a classic Saturday Night Live commercial parody for a product called Shimmer, in which a husband (played by Dan Aykroyd) and wife (Gilda Radner) argue over whether the product is a floor wax or a dessert topping. As the debate escalates, a slick pitchman (Chevy Chase) breaks it up by stating that Shimmer is both a floor wax and a dessert topping.
Illustrator is a lot like Shimmer because it serves so many disparate needs. It’s a print-based application that’s also a Web graphics creation tool with a pixel grid. It’s a vector-based object-creation model that supports transparency and Photoshop-like effects, and now creates naturalistic brush strokes. It’s a two-dimensional tool that has rudimentary three-dimensional modeling and now allows you to draw in perspective.
Whatever task you throw at Illustrator, or whatever your particular artwork needs are, there are a multitude of features that help you explore creatively, work efficiently, and publish reliably.
#25 Understanding the Perspective Grid
Illustrator’s new Perspective Drawing feature gives artists the ability to define a perspective grid, draw art on that grid, and add existing art to that grid in the appropriate perspective. This speeds up perspective-based drawing, but before you start drawing you need to understand the grid you’re drawing on and its various settings and controls.
Every Illustrator document contains one perspective grid. By default, that grid is not shown. To reveal a document’s perspective grid, go to View > Perspective Grid > Show Grid, or press Shift-Command-I (Shift-Ctrl-I). The default is a two-point perspective grid, but Illustrator has built-in grid presets for one-, two-, and three-point perspective drawing (Figure 25a) that you can also use as the basis for your drawing.
Figure 25a From top to bottom: Illustrator’s one-point, two-point (the document default), and three-point perspective grid presets.
One-, Two-, and Three-point Perspective: What’s the Difference?
To understand perspective, think about where the viewer is in physical space.
One-point perspective is what the viewer would see standing in the center of a long hallway, looking straight ahead. All planes (walls, ceiling, floor, etc.) converge to a single point—known as the vanishing point—on the horizon. The horizon line is always at eye level.
Two-point perspective is what the viewer would see standing in the center of a four-way intersection, looking directly at the corner of one block. To the left, the buildings down one street recede in one direction. To the right, the buildings recede in another direction toward a second vanishing point. Both points share the same horizon line.
Three-point perspective is what you’d see flying in a helicopter looking down at that intersection. Buildings still recede off into the distance toward two vanishing points and one horizon line, but all the buildings’ lines (from the rooftop to the street) also converge downward toward a third vanishing point.
You can make the grid visible simply by switching to the Perspective Grid tool (Shift-P). This tool makes all of the grid’s modification points active so you can reposition its horizon line or left and right planes, extend or redistribute its grid lines, and otherwise customize it to your needs. Any grid you customize can be saved as a preset to use in any other Illustrator document (View > Perspective Grid > Save Grid as Preset).
Customizing the Perspective Grid
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Illustrator’s perspective grid projects forward, so adjusting a grid to match a scanned sketch is pretty simple if the sketch’s composition matches that default. However, not all perspective drawings are composed that way. The sketch in Figure 25b, for example, recedes toward its center.
Figure 25b Illustrator’s default front-projecting grid does not match this composition.
The Grid Is Everywhere
Although the grid you see in your document appears to occupy a finite area defined by the grid lines for each plane, the perspective grid is, in fact, everywhere in the document. Moving objects in perspective beyond the visible edges of the grid doesn’t remove them from its control. Instead, those objects appear farther above or below the grid’s horizontal boundaries, or nearer to or farther back from its vertical boundaries, and they remain drawn in proper perspective.
Fortunately, grids can be customized. When the Perspective Grid tool is active, each grid plane has a control handle with which you can reposition that grid. If we move the handle for the right plane to the left, for example, the right grid plane can act as the grid for the left wall in the sketch (Figure 25c).
Figure 25c The right grid plane is moved to the left using its control handle (inset) to a position that matches the left wall of the sketch.
Common Ground
Regardless of the type of perspective grid you choose, all grids share these basic components:
a horizon line
a left plane (two- and three-point perspective grids also contain a right plane)
a ground plane
Station Point=Pivot Point
The station point of a two- or three-point perspective grid is the front-most corner of the cube formed by the grid. When you lock a grid’s station point (View > Perspective Grid > Lock Station Point), your changes to the grid’s vanishing points are inversely mirrored. In other words, moving the left plane’s vanishing point inward moves the right plane’s vanishing point outward by an equal amount, and vice versa. With the station point locked, the two planes effectively pivot from the point where they meet as you move either vanishing point.
Once the grid plane is placed in the approximate position, its vanishing point can be moved to get the perspective angle as close to the sketch as possible (Figure 25d). With the plane positions transposed, their respective extents will overlap and create a very busy grid. This can be prevented by dragging the hollow diamond shapes (which control the grid extents) on the repositioned plane in toward where the two walls meet (Figure 25e).
Figure 25d Moving the vanishing point (inset) sets an angle that better matches the original sketch.
Figure 25e Pulling in the grid extents diamonds (inset) displays fewer grid lines and prevents the two grids from overlapping.
Tone Down Your Grid
As you add artwork, the perspective grid can become distracting. To minimize this, open the Define Perspective Grid dialog box (View > Perspective Grid > Define Grid) and change the grid’s opacity from the default of 50 percent to something easier on the eyes, like 25 percent. Unfortunately, there’s no application-wide way to change the default.
Similar position, vanishing point, and grid extent adjustments can be made to the left plane so that it can serve as the grid for the right wall in the sketch. Once that’s done, the grid is completely customized for the perspective needs of this illustration (video tutorials). Once the grid is established, the next step is mastering the appropriate drawing strategies to produce a finished perspective illustration (video tutorials).
Figure 25f The customized perspective grid with its planes repositioned, horizon line adjusted, and grid extents pulled in to match the sketch.
Figure 25g A finished perspective drawing from the original sketch and the customized grid.
Grid Goodies, Part 1
When Illustrator’s Smart Guides feature is turned on (which is the default) and you reposition the grid’s horizon line, an “HH” value is displayed. This number indicates the horizon height, which is the distance between the horizon line and the ground line. If you’re working on a drawing to scale, it can be helpful to put the grid’s horizon line at a normal observer’s height.
Grid Goodies, Part 2
The Define Perspective Grid dialog box (View > Perspective Grid > Define Grid) is your go-to place for all the perspective settings. From here, you can choose what type of grid to use (one-, two-, or three-point perspective), and select its measurement system, scale, gridline increments, viewing angle, horizon height, and the color of the left, right, and horizontal planesvideo tutorials.
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How To Uninstall Flash Player From Windows PCs ? Working Tutorial
Adobe Flash Player is a commonly used application that provides a platform to view graphic applications and videos. However, despite its capabilities and advantages, it has been reported to bring about numerous problems to your Windows system. The errors that this application causes will make your computer incapable of reading this program. To prevent this issue, you need to completely remove it out of your system through various available techniques.
Adobe Flash Player can be uninstalled manually or by using an automated tool that will do the task for you. The surest way to eliminate this program is to automatically uninstall it using a tool that will scan through your system and delete all the traces of this program.
If you intend to remove Adobe Flash Player manually, you have to complete some boring steps. For Windows XP users, you can begin by clicking “Start” and then proceed by going to the “Control Panel“. Then select “Add & Remove Programs” as the control panel windows appear. For Windows Vista & 7, press “Start” followed by clicking the “Control Panel“. Then select “Uninstall Program” from the control panel window box. These steps will enable the “Add & Remove Programs” applet to load up. From here, select the Adobe Flash Player program and do the next steps as prompted by the instructions that will appear on your computer screen. The elements of the software will be removed by this process. Take note though that you have to make sure you also delete the files that this program will leave in your system. To do this, press “Start” and then go to “My Computer” and locate “C:/Program Files/“. Look for the files the Adobe program may have left. After identifying the files that were left, click the folder and hit SHIFT + DELETE on your keyboards to remove the files permanently from your computer. To finish the process, reboot your PC.
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The alternative method to remove Adobe Flash Player program is to uninstall it with an automated tool such as the highly recommended “Final Uninstaller” program. To do this, start by downloading the uninstaller program from the internet and then make sure that you install the software in your computer. Then select “Scan” and locate Adobe Flash Player from the list of “Installed Programs“. Mark the check box located on the left side and then press “Clean“.
The final step is to clean the registry. The “registry” is the central database that stores all the pertinent files, settings, options, and information in your system. As Windows loads up, it reads the necessary files in order for it to run smoothly through this database. However, the registry gets corrupted, damaged, or infected making your computer experience problems and errors. Take note that files that may be left from the uninstalled programs may be kept here, thus, posing a greater risk for your system to be subjected to errors. To fix this issue, you have to download and run a registry cleaning tool to clean up the system and allow your computer to function efficiently and become error-free.
To see how you can Uinstall Flash Player by using the tutorials on our website. You can Click Here
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Working with Masks in Adobe After Effects CS5 and max tutorial
In this lessonmax tutorial, you’ll learn how to do the following:
Create a mask using the Pen tool.
Change a mask’s mode.
Edit a mask shape by controlling vertices and direction handles.
Feather a mask edge.
Replace the contents of a mask shape.
Adjust the position of a layer in 3D space to blend it with the rest of the shot.
Create a reflection effect.
Create a vignette.
Use Auto Levels to correct the color of the shot.
This lesson will take approximately an hour to complete. Copy the Lesson07 folder into the Lessons folder that you created on your hard drive for these projects max tutorial(or create it now), if you haven’t already done so. As you work on this lesson, you’ll preserve the start files. If you need to restore the start files, copy them from the Adobe After Effects CS5 Classroom in a Book DVD.
There will be times when you won’t need (or want) everything in the shot to be included in the final composite. Use masks to control what appears.
About masks
A mask in Adobe After Effects is a path, or outline, that is used to modify layer effects and properties. The most common use of masks is to modify a layer’s alpha channel. A mask consists of segments and vertices: Segments are the lines or curves that connect vertices. Vertices define where each segment of a path starts and ends.
A mask can be either an open or a closed path. An open path has a beginning point that is not the same as its end point; for example, a straight line is an open path. A closed path is continuous and has no beginning or end, such as a circle. Closed-path masks can create transparent areas for a layer. Open paths cannot create transparent areas for a layer, but are useful as parameters for an effect. For example, you can use an effect to generate a running light around a mask.
A mask belongs to a specific layer. Each layer can contain multiple masksmax tutorial.
You can draw masks in common geometric shapes—including polygons, ellipses, and stars—with the shape tools, or you can use the Pen tool to draw an arbitrary path.
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Working with Illustrations and Graphics to Achieve Authentic Branding Power
Days have very much evolved in the world of website style and design. Internet developers have enormous competition. People are choosy, bounce rates are high, and of course content remains king.
How can you maintain guest attention and keep in front of of your huge level of competition? A simple technique: Eye appeal.
In recent years, stock photography and digital art have adjusted the visual appeal of the net. Notably, now the entire word wide web seems the same. Due to wordpress templates as well as stock photos, graphic design has become like the manufacturing trade — almost everything has interchangable parts! How many occasions have you navigated a page and recognized the digital art they’re working with mainly because their competition are making use of them as well?
People are visual creatures. You might put all of the seo you are able to into a web site, however it is not going to make a difference if your end users are bored. And people can effortlessly sense whether or not you’re authentic. Are you?
Its not in fact that tough to make your website unique. Its just not obvious how to try and do so today. Listed below are some tricks to break free of the proverbial mold and start standing out from the crowd.
1: Avoid using mainstream stock clipart web sites.
If you follow only one tip, let it be this one. We repeat: Discontinue making use of mainstream stock photo web sites. People are addicted to these websites — artists along with customers. The consequence is everybody thinks exactly the same, appears the same, and the entire point of branding is lost.
2: Do not use a template straight out from the box.
Templates are cool. But much like stock photos, 1000′s of other people are employing the same kinds that you are. The usage of a little creativity, you may make a number of minor changes that could change the look of the whole template. I do it all the time. It works.
3: Search distinct digital art on Artist’s personal internet sites an portfolios.
A decent jeweler will journey the world to discover the most valuable diamonds. As a web developer, you do not have to leave your chair! Start executing photo searches on engines like google and portfolio sites (like flickr.com, deviantart.com, and many others). Once you discover illustrations that suit your project, get in touch with the illustrator. Have him or her do customized art. No doubt they have more artwork or illustrations that suit your project.
4: Compare your self to your opponents and strive to be unique!
Buyers can tell a “knock-off” very easily. Whether its fake watches, apparel brand look-alikes, as well as websites, people can tell a phony or knock-off. Conversely, do not underestimate your own capacity to properly design and style a unique brand. Creativity is something many people lack. Not surprisingly, success comes difficult for them too. That is mainly because people make the assumption that their solutions are worth less than other people’s. Dare to be different, dare to imagine, and you will be successful.
5: Get to know your illustrator.
A useful as well as basic element has been lost as a result of electronic age- Collaboration. Find an illustrator or two that you discover give good results well using your concepts and branding as well as keep them handy! They appreciate your business.
6: Establish new trends, avoid previous trends.
In your visual appeal, never assume “the usual rules” of design and branding apply to you. The saying goes, “rules are made to be broken”. Some very profitable corporations have risen to prosperity with very goofy and uncoordinated designs. Actually, this is because it tends to make evident that there’s a human being behind the business, instead of some vague corporate entity, which users are learning to distrust. Imperfection is a mark of individuality.
7: Don’t be like the crowd.
The entire approach to stand out from the crowd is to stop thinking, acting, and looking like them. This is becoming more and more easy on the net. Capitalize on this fact.
Lastly, even though you already know everything you are striving to be, lets just review what you absolutely DO NOT want to do. Do not use copy/paste material from stock photo sites and templates in your design, but alternatively go out of your way to seek out unique illustrators and material. Know your objectives and make an active effort to become different from your opponents. Know your artist and make it possible for your self (as well as them) independence to create.
That is it! It really is that simple. Surprisingly, not many people have figured out these tactics. If you make the most of them, you may be far ahead of everybody else. On the net nowadays, where social networks are starting to be the determinant for your success, appealing to people is more essential than ever. Toss the oldschool Search engine marketing stuff. Its important, but absolutely not the biggest determinate to your achievement. Use the above guidelines and your website will thrive.
Is your website run with WordPress? This illustrator has created a plugin to grant you direct access to his graphics — free! See below…
WordPress Blogger’s Pic Find and Insert to Post, WordPress Plugin
Clip art illustration vector artist, php programmer, web developer, writer. Likes pizza and twinkies.
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Question by Smartweatherdude777: Why is my clip art not working in PowerPoint 2003?
I am trying to place clip art in a PowerPoint 2003 presentation, so I look it up and pick a good one. However, PowerPoint will just freeze up and there won’t be a clip art inserted. This has never happened before.
Best answer:
Answer by Cesc Farb
PowerPoint-supported video formats: ASF, AVI, MPEG and WMV. Maybe it can help you!
Give your answer to this question below!
Working With Graphics ? Popular Software Packages Vs. Freeware Alternatives
The need for graphics software is something that has grown exponentially along with the development of modern day computers, the internet, and of course, the digital camera. The exact use for it varies not only among the different users, but from the different tasks one single user want to finish – it being photo retouching of the private family album, creating elements for your blog or website, or making a brochure for your private business. And we expect to finish up all these tasks in one program – two at tops. It goes without saying that we expect a lot from the graphics software we choose to utilize. Now, for many users, both professional and the semi-professional home users, Adobe Photoshop is the obvious choice. Some love and swear to Paint Shop Pro, the cheaper alternative from Corel, while millions of pc users are satisfied with what Microsoft and Apple ship with their operating systems. Now, those who fall into the last category, may not find this article as useful as those who belong in the first two, as the simple photo retouching tools they already have installed with their OS serves their needs. For the rest of you however, read on to see what other free software options you have, and why you should, or should not, choose to utilize them instead. I am going to split the article into categories, to help you draw your own conclusion as to what software will do the job, hopefully without costing you a buck.
1 Support
Many users of commercial software find this point very important when they’re deciding which package to use. Will the software support my printer/wacom tablet/camera import/scanner/OS – and if it doesn’t, will they offer me help to solve the problem? The answer with commercial packages is – yes and no. All major software developers offer support, usually over email, phone or chat, and as long as they have the answer to your question in their database, they’ll give it to you. For more complex problems however, the poor, underpaid technician may not be able to help you – and this is, contrary to popular belief, one of the big advantages of Open Source Software (OSS). OSS has the advantage of being followed by a strong community – not only with graphics artists that take use of the software, but also the programmers that actually helped develop the code itself. In other words, you may be able to get your answer directly from the source, and even have someone help you create a patch especially for you. That’s something Adobe, Corel and Microsoft would never offer you. On the other hand, getting those answers may be a bit more complicated than picking up the phone. It may take some forum browsing, a few emails, and some waiting before the problem is solved. Now, the last kind of software release, which is also free, is from professional software developers that release their software for free. They may have different reasons for doing this. Some release their older versions for free while the newer versions cost money – like a demo solution, only better (remember, that version was the newest just a year ago). Some do it just for the advertising – perhaps they have some other software that they’re selling at a higher price, and just want to get your attention. The backside of downloading these alternatives is that most of them offer none or very limited support – in other words, if you’re having problems, you’re on your own.
To sum it up, Open Source projects may actually offer the best support in the long run, even if it takes some research to find your answers, but professional software are tested for months before release, usually have support for most drivers and hardware built in, and may therefore remove the need for the support in the first place. If you need new software for a project quickly, to reach a deadline, you may be safer off going for a commercial package. If, on the other hand, you want to learn some graphics editing, perhaps do some retouching on your private photos, I would not let this stop me.
2 What does the program actually offer?
This is another important point for many – how far can you stretch the programs technical abilities before it snaps? This is actually kind of a tricky question, because most major software packages – both free and commercial – give you the option to install third party plug-ins. (for those who do not know what this is, it is a piece of code that is loaded along with the software to serve one particular need – in most cases to use a filter on an image that the application did not offer in the first place). The number of plug-ins available for OSS is big – the number for Photoshop is vast. However, more does not necessarily mean better, and you should not let the number of plug-ins available guide you when purchasing software. Also, again in the commercial vs free packages, it is a question of price; most major Photoshop plug-ins are not free – all OSS plug-ins are.
Having mentioned the plug-ins, let’s see now what the programs offer themselves. Photoshop has set the standard for image manipulation software for 15 years, and it’s as far as the author can see, impossible to design a program in this genre without being inspired by it. That being said, it does not mean that freeware alternatives cannot stand up to its standards, but it does mean that you’ll rarely find something in a free package that Photoshop did not already offer. Having tested most of the major freeware pretty thoroughly, what I have discovered is that they offer pretty much the same abilities as Photoshop does – but with 85% the usability. In other words, it can get most of the work done, but not all, and what it can do, it won’t do as streamlined as Photoshop. It’s worth mentioning though, that I am talking about advanced editing here – not simple retouching and drawing. For the photo editor – the free ones will undoubtedly to the job for you. For the internet graphics editor – it will undoubtedly also get the job done. For the advanced graphics/photo editor, the last 15% can make you raise an eyebrow and wonder why you ever considered free software. The conclusion is that the major freeware packages will cover the needs for 90% of the users.
3 Hardware Issues
Will the program work with my printer? How about my Wacom? My digital camera? Actually most of the hardware compability is dependent on your operating system. For example, some versions of Mac OSX did not support tablets, and a wacom would therefore be treated like a regular mouse – thus removing the pressure sensitivity. The same thing is true if you do not install the correct drivers in Windows.
As for the printer – most software that includes support for printing, relies on the drivers you installed when you first connected the printer. In other words, if printing works in other programs, there’s no reason it won’t work when you’re working on the graphics. There are some other printing issues that are worth thinking about though, I will cover these in the next section.
4 More printing issues
Apart from driver support, there are some issues you should think about if you are going to print your artwork. Color management, for example, can be tricky, and not even Photoshop had a good enough printing dialogue until CS3 was released. Again, this depends on your use of the software – professional users may need total control of how their documents are rendered for print. If you’re using it to print your family photos on the other hand, you may not need these settings (and you probably won’t understand them either). Photoshop does give you better control over your printing profiles – but it’s only necessary for the advanced user.
Having read this article, I hope you are able to reach a conclusion. There is no doubt that free open-source projects have reached a point where they are nearly as advanced as expensive, commercial software, and can cover most of your needs. As much as I love photoshop, I also love the open-source community, and nothing would make me happier than if I could save you a few hundred bucks! My website www.freegraphicstools.com contains some links and reviews if you are ready to try out some of the Photoshop alternatives. You may be surprised that even Illustrator, 3D studio, Adobe Premiere, After Effects and Microsoft Office all have freeware alternatives that are rich in functionality!
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www.schoolfreeware.com This tutorial will show how to fix, or understand, why pictures, clipart, and charts sometimes do not work like they should within Word 2007. This is because the document may be saved in an older version of Word. The file can be converted to Word 2007, however, if the file is to be sent to a user with Word 2003, the file format should be kept in Word 2003 format. Once the file is converted, all 2007 picture, clipart and graph (chart) formatting become available. If Word 2007 charts are still in 2003 format, but the document is in Word 2007 format, then, there is a problem with Excel 2007 or Excel 2007 is not installed in the computer. Word 2007 needs Excel 2007 to create graphs for Word 2007, if Excel is unable or not installed then Word 2007 will create graphs with its Word 2003 graphing technology.
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