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Question by David: If I can’t afford College, How else can I learn Video Game Concept Art Techniques?
So i took Fine Arts for 4 years and get my degree in 2 months. BUT near the end of it found that I would rather do art for video games or TV.
However, my University doesn’t teach you how to make a portfolio. (they instead teach you where to find food when you starve)
I have the skills already to paint, traditionally and digitally, but lack the knowledge on what Concept artists are looking for in a portfolio.
Any tutorials, suggestions or sites you can hook me up with?
Best answer:
Answer by siepher_the_fallen
The thing that art and trade schools don’t tell you up front is that you can get their entire education of the net for free. You just need to know where to look. If you already fill comfortable with fine arts you’re well on your way. I’m not sure if you already are aware, but some sites to check out are www.conceptart.org and www.cgsociety.org. I would go ahead and make a portfolio on CG society. Its a pretty legit place to ask for help and get your work critted by pros.
That said, games are an extremely competitive industry. Most studios do not not hire entry level concept artists. Keep in mind that you are also competing with guys that have 10 years of experience and a ton of triple A titles under their belts. A lot of people work their way up from being something else such as a 3D modeler or animator. Your best bet is to pick up some additional skills such as 3D or story boarding. Heck, your first job might not even be in games but cartoons on TV.
You’ll need a website and a digital reel. Very rarely do companies accept hard copy media anymore. Here’s an example from an animation student who’s now working as a concept artist:
http://www.etoli.net/demo.html
For more info on 3D “barrow” a copy of 3Ds Max or Maya and look for basic tutorials on you-tube or Google. For 3D check out www.3dtotal.com and www.polycount.com
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Photography Course Online – How To Apply Easy Post-Production Techniques In Photoshop!
What are photographers talking about when they mention the ‘digital darkroom’? This is simply the use of photo editing software to make adjustments to photographs, after they have been saved to a computer. Many techniques used in a traditional film darkroom can also be accomplished digitally in today’s version of the darkroom. One popular editing program is Adobe Photoshop. For many photographers, this is the automatic choice when applying their post-production techniques. A well-structured photography course online will include training in these techniques.
Some of the most common post-production techniques in Photoshop include mode conversions. Most digital cameras capture photos in RGB format (RGB mode). However, there may be times when you need to change the mode or format of the file for creative effect or to use the photo for four-colour press printing-such as when it is incorporated into a magazine or other document that will be printed on a traditional four-colour printing press.
Let’s take these one at a time. First, let’s try converting an image into CMYK mode. Most printers require this when submitting a photo to be used in a four-colour press printed job. Just choose ‘Image’ from the top toolbar. Then ‘Mode’, then ‘CMYK’. Now save the image with a new name or add the letters CMYK to indicate it is saved in this format. Note: You will not see any difference when you view the image on your computer monitor, but this conversion is necessary for four-colour press printing jobs.
Another reason to change the mode is when transforming a full-colour image into black and white. Again, choose ‘Image’ from the toolbar. Then choose ‘Mode’, then ‘Grayscale’. Click ‘Yes’ when asked to confirm to discard the colour information in this file. The new black and white image will need to be saved as an RGB file again. So at the toolbar pick ‘Image’, ‘Mode’, and finally ‘RGB’. Save the image with a new name or add BW to show it is now black and white. If any of this sounds too technical, it really isn’t when you start experimenting, and a photography course online will easily guide you through the process.
There may be occasions when you wish to create a two-tone image that is neither black and white or colour. For instance, a sepia toned photograph is created as a two-tone (or duotone) image. The first step to creating a duotone image is to create a grayscale version as in the step above. After you are asked to confirm whether you want to discard the colour information in the file and you’ve clicked ‘Yes’, stop. Here is where you make the image duotone.
At the toolbar choose ‘Image’, ‘Mode’, and finally ‘Duotone’. In the dialog choose ‘Type: Duotone’ and then use black for ink one and a warm shade of brown for ink two. (Click ‘Load’ to select the colours you want). Then click OK.
Finally, you need to change the mode to ‘RGB’ again as you did above for the black and white image. Save the image with a new name or add the letters SEP to the image name so you know this is a sepia image. You should then have a warm image reminiscent of old photos.
This is just a tiny example of the enhancements possible in PhotoShop. Following a photography course online will open up the range of Photoshop tools and post-production techniques. Whilst Photoshop should not be seen as a tool for “repairing” an image, it does allow you to massively enhance or alter your original photograph, creatively. The only limit is your imagination.
You can discover the secrets of taking stunning photographs, simply by following a photography course online. Please check out http://www.photographycourseonline.info for further information.
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Adobe Photoshop Brushes Techniques
Brushes are the core component of many tools in the toolbox, and confident brush handling is essential for the effective application of these. You need to master brushes because this gives you many ways in which you can use and edit brushes will equip you with a whole new set of skills, and give you access to a wide range of powerful and creative time-saving techniques.
The Brush Preset picker will help you to find the right brush fast so make the most of it
With some Photoshop tools, such as the Clone Stamp, the Brush Preset picker is used simply to edit the tool’s brush size, softness and opacity.
Because the Clone Stamp’s function is to subtly replace one area of pixels with another, you don’t need its brush tip to be shaped like a rubber duck, for example!
However you can use the Brush Preset picker to arm yourself with a variety of creatively-shaped brushes, should your project require them. Working smarter with the Brush Preset picker means maximising its potential. If you’re not already familiar with this interface.
The Brush Preset Picker
Click on the Brustic to open the Brush Preset picker, and scroll down to see the default set of brushes.
Towards the foot of the list of default brushes you’ll find a variety of unusually-shaped brush tips, including brushes shaped like stars and blobs.
Click on the picker’s menu icon to access other, specialised sets of brushes. You can use the picker’s menu to display a thumbnail of the brush stroke, or set it to show the brush tip and name.
The numerical value indicates the brush’s initial diameter in pixels. You can customise this to suit your requirements. When you select a new set of brushes, you can either replace the existing default set or append the new set to it so you can use both.
Master The Basics Of Adobe Photoshop In Under 2 Hours With Easy To Follow Instantly Accessible Online Video Tutorials. photoshop 7 brushes
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Build your Lightroom expertise, one technique at a time. Why sort through piles of unrelated documentation when you can focus on the essential techniques? In Adobe Photoshop Lightroom 2 How-Tos, author Chris Orwig brings you the best techniques to quickly organize and correct your digital images using this powerful program created specifically for photographers. Complete with illustrations and practical tips, these bite-sized lessons from Chris’s experience as a photographer and instructor provide just the information you need. Here you can explore the program at your own pace, spending less time at your computer and more time behind the lens taking great pictures.
Coverage includes
• Customizing the Interface
• Understanding File Formats
• Finding Images with Text, Refine, and Metadata Filters
• Using Presets in Quick Develop
• Correcting White Balance
• Applying Settings to Other Images
• Changing Hue, Saturation, and Luminance
• Dodging and Burning with the Adjustment Brush
• Customizing Web Galleries
Build your Lightroom expertise, one technique at a time. Why sort through piles of unrelated documentation when you can focus on the essential techniques? In Adobe Photoshop Lightroom 2 How-Tos, author Chris Orwig brings you the best techniques to quickly organize and correct your digital images using this powerful program created specifically for photographers. Complete with illustrations and practical tips, these bite-sized lessons from Chris’s experience as a photographer and instructor provide just the information you need. Here you can explore the program at your own pace, spending less time at your computer and more time behind the lens taking great pictures.
Coverage includes
• Customizing the Interface
• Understanding File Formats
• Finding Images with Text, Refine, and Metadata Filters
• Using Presets in Quick Develop
• Correcting White Balance
• Applying Settings to Other Images
• Changing Hue, Saturation, and Luminance
• Dodging and Burning with the Adjustment Brush
• Customizing Web Galleries
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How to Cheat in Adobe Flash CS4: The art of design and animation, Chris Georgene
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Build your Photoshop expertise, one technique at a time
Why spend time searching through a thick reference book when you can focus on the essential techniques? In Adobe Photoshop CS4 How-Tos: 100 Essential Techniques, author Chris Orwig brings you the best techniques to quickly organize and correct your digital images using the world’s most
powerful photo-editing program. Complete with illustrations and practical tips, these bite-size lessons from Chris’s experience as a photographer and instructor provide just the information you need. You can explore the program at your own pace, spending less time at your computer and more time behind the lens taking great pictures.
• Discover the Application bar [#4]
• Work with and arrange multiple documents [#8]
• Use the Photo Downloader in Adobe Bridge [#24]
• Make localized nondestructive adjustments with Camera Raw [#38]
• Set highlight and shadow target values using Curves [#69]
• Adjust tones with the Dodge and Burn tools while protecting values [#77]
• Create a layer mask[#78]
• Retouch portraits to improve eyes [#86]
• Create Web galleries to share your images [#97]
Build your Photoshop expertise, one technique at a time
Why spend time searching through a thick reference book when you can focus on the essential techniques? In Adobe Photoshop CS4 How-Tos: 100 Essential Techniques, author Chris Orwig brings you the best techniques to quickly organize and correct your digital images using the world’s most
powerful photo-editing program. Complete with illustrations and practical tips, these bite-size lessons from Chris’s experience as a photographer and instructor provide just the information you need. You can explore the program at your own pace, spending less time at your computer and more time behind the lens taking great pictures.
• Discover the Application bar [#4]
• Work with and arrange multiple documents [#8]
• Use the Photo Downloader in Adobe Bridge [#24]
• Make localized nondestructive adjustments with Camera Raw [#38]
• Set highlight and shadow target values using Curves [#69]
• Adjust tones with the Dodge and Burn tools while protecting values [#77]
• Create a layer mask[#78]
• Retouch portraits to improve eyes [#86]
• Create Web galleries to share your images [#97]
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Photoshop Techniques for Different ways to Achieve Effects – Free Digital Photo Editing Software Programs Available for Download
Learn How To Use Adobe Photoshop To Quickly And Easily Edit Your Digital Photos Like The Professionals. This covers the more advanced content of adobe photoshop and you will learn so much, so easily and such a short time. You will be amazed at the things you can actually do with Adobe Photoshop and edit some awsome photos. There are several good free digital photo editing software programs available for download that can fit the bill for most common photo editing needs. All you have to do is perform a search for “free photo editing software” and you should have plenty of results to choose from. But there are two programs for sale that seem to meet the needs of most average photographers whether novices or even serious hobbyists, and they are Adobe Photoshop Elements and Corel Paint Shop Pro 9. Both of these programs are very highly rated in most independent and consumer reviews as being very easy to learn and use, while also handling most any editing task that the average photographer could need.
With Photoshop you can easily make yourself or anyone look better. You can even change the colors of the clothing people are wearing. You will be amazed by the results you can achieve with Photoshop. You will not only be able to improve the appearance of people but you will be able to completely remove people from the photograph, add people from other photos or change the background. Master these Photoshop techniques and you will be in demand for photo editing and graphic design projects. People with these types of skills are in needed for photo retouching, web design work, logo design, advertising, and more. Not only can you have fun touching up your own photos but you could start a business doing photo enhancements.
Pixel parity. Never judge a digital photo without looking at the actual pixels. Image editors often squeeze the image down to the size of your screen (or, even worse, down to the size of a window on your screen). No matter how good the software is, it can’t remove a lot of pixels and still show you the same image. Your image editor should have a menu choice for “Actual Size,” “Actual Pixels” or “1:1.” Slide your chair back a few feet if you need to get a longer view when you’re looking at the actual pixels. And be sure to view your images full-screen; all good editors let you do that.
The display resolution of a digital television or computer display typically refers to the number of distinct pixels in each dimension that can be displayed. Some commentators also use this term to indicate a range of input formats that the display’s input electronics will accept and often include formats greater than the screen’s native grid size even though they have to be down-scaled to match the screen’s parameters. An example of pixel shape affecting “resolution” or perceived sharpness is displaying more information in a smaller area using a higher resolution, which makes the image much clearer. However, newer LCD displays and such are fixed at a certain resolution; making the resolution lower on these kinds of screens will greatly decrease sharpness, as an interpolation process is used to “fix” the non-native resolution input into the displays native resolution output.
So what are the mechanics of this “through the lens” shot to achieve the ghosting effect? 1. Stabilize the camera – using a tripod is best, a stable surface is a second option or, a steady hand as a last resort; 2. Set number of multiple exposures you require for the frame to (N) – usually 1 to 9; 3. For the roll of film in your SLR, determine the film speed (S); 4. Reset the camera film speed (Yes, you can override the setting) to (N S) or, if not an exact match, set it to the absolute closest speed ((N S) adjustment); 5. Take your picture, depressing the shutter button for a total count equalling the number of camera exposures you set in step “2″. Example: 1. You want 6 exposures on the frame (N=6) so set the number of multiple exposures to ’6′; 2. You’ve determined the film speed is 200 (S=200); 3. Reset the camera film speed to ’1200′ (= 200 6); 4. Depress the shutter button 6 times (for 6 exposures). REMEMBER: Check and reset the SLR film speed and number of exposures to their original settings before continuing with your next shot. Some SLRs will automatically reset the number of exposures back to ’1′ before advancing the film to the next frame. It’s always better to verify this.
Photoshop has opened up many new and vibrant ways to change and edit your many photos. Photoshop and other editing tools are the photographers best friend for photos that are perfect except for one thing or just for experimenting on colors and variety. Frame; There are unlimited ways you can put frames around your photos in Photoshop. Vignette; Vignette is a popular effect that involves a soft fade, usually in oval shape, where the photograph is light in center and fades gradually into the background where it gets darker. Vibrant Color; By adjusting the saturation you can turn an otherwise dull photograph into a masterpiece of vibrant color. You can even work with particular color channels while leaving others alone. As you learn Photoshop and start experimenting with adding special effects to your photos you will learn many more techniques as well as different ways to achieve the same effects.
Some things you are going to have to do to start up a photography business are: you have to do is get all the equipment that you’re going to need. This is going to vary depending on what kind of field you want to get into. For example, if you’re planning to become a photographer who specializes in stock car racing, then you are going to need a lot of equipment for taking high speed photos. The good news is that you’re not going to have to spend a lot of money on lighting since these photos will be taken outdoors. Conversely, if you’re planning to photograph fashion models, lighting is going to be critical to your photos and your lighting equipment expense is going to be quite high.
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Started out in design and then moved into digital photography. I have worked for Adobe in the Photoshop department and now create on line tutorials to help users understand this very seemingly complicated piece of software.Visit :http://learnphotoshop2.blogspot.com/
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Adobe Illustrator CS3 is more than just the world’s most popular and powerful illustration tool: As part of the Adobe’s Creative Suite 3, it’s a key component of an overall design workflow that lets users work seamlessly among all of their graphics applications to create graphically rich content for print, Web, motion graphics, and mobile devices. This info-packed guide lets users get right down to work by focusing on the Illustrator CS3 features they’re most likely to use and showcasing each in a stand-alone tip–complete with a relevant hint or two and a graphic example. In this fashion, readers learn just what they need to know, exploring the program in a way that makes sense to them. Before they know it, users will be using the new path eraser tool and making vivid artwork using the new Live Color feature and the updated recolor filters, as well as creating symbols and applying instances and exporting their work to Adobe Flash.
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How to Cheat in Adobe Flash CS4: The art of design and animation, Chris Georgene
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