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Purchase Adobe PageMaker 7.0.1 cheap

Adobe PageMaker 7.0 software is the ideal page layout program for business, education, and small- and home-office professionals who want to create high-quality publications such as brochures and newsletters. Get started quickly with templates, graphics, and intuitive design tools; work productively across Adobe applications; and easily leverage existing content to create customized communications.

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One of the coolest professional features offered by PageMaker 7 is the management of layers. Using layers you can set up a single file for multiple versions of a publication, or add annotations, etc. You can place text on separate layers to control which objects are visible or not but you can also turn off the graphics layer. When you create a multipage publication, it might be helpful to set up a master page that sets every page of the composition the same margins, headers, footers, column guides and backgrounds. This can be done with a few mouse clicks thanks to the unrivalled ease of use of PageMaker 7. The layout adjustment feature of PageMaker 7 will automatically reposition, resize, and reflow text blocks, frames and graphics when you revise the layout framework of a page or a whole composition.

With PageMaker 7.0, Adobe included new advanced word processing capabilities that will greatly help users to type their texts within the software rather than using a program such as Microsoft Word. With PageMaker 7.0 you can type and format your text directly in the layout view, just like you would in other publishing software, or you can use the story editor. The story editor is a word processor built into PageMaker 7.0 that you activate by clicking on the ‘Story Editor’ command of the edit menu. In this mode you can set tabs, indents, insert tables or any other word processing task, like spell-checking your publications. Once you’ve typed a text in PageMaker you can easily switch to the layout view by a single click in the edit menu to see how the text integrates itself into your composition. A PageMaker 7.0 story is similar to an article in a newspaper and thus several stories may appear on the same page and continue elsewhere on a different page of the publication. The story editor of PageMaker 7.0 is perfect to work on long documents, assemble multiple publications into a book or , since you can create a table of contents and an index, renumber pages and print the book very easily. When you export a publication to Adobe PDF, the software can automatically generate bookmarks and hypertext links for a table of contents and index entries in Adobe PDF files.

Nonetheless if you still prefer the power of Word, you’ll be glad to know PageMaker 7.0 can import Word and RTF files thanks to its new file filter that supports Word 2000 file format. To easily and quickly change the appearance of fonts used in a document, PageMaker 7.0 offers a complete text toolbar. This toolbar, that looks ugly and that is everything but handy, regroups several commands to put your text in shape. In the center of the toolbar there’s a drop down list of fonts available on the system but unlike with Microsoft Office XP you can’t preview within the list what each font looks like. The toolbar also displays the font size list where you can select and set the size of the text, and there are buttons like ‘B’, ‘I’, ‘U’, ‘Q’ to change the form of your text (Bold, Italic, Underline, Strikethrough, etc.). The text toolbar also offers advanced features that let you change the spacing between lines and letters as well as the width of each font’s characters. Also the toolbar provides shortcuts to convert the selected word into caps, small caps, or small letters or put it in exponent or index. A click on the paragraph button of the toolbar will give you access to justify, center, align on the left/right features and unveils precise positioning features that can set the indent of a text, the space between paragraphs, etc. Font settings can also be accessed in a much clearer dialog box by clicking the ‘A’ button of the main toolbar. Note that to type a text, you have to draw a block of text. Once you’ve typed your text, the block can be resized and moved over the page, at your convenience.

With PageMaker 7.0 you can create professional documents via the layout features and professional typographic features offered by the software. Just like graphic designers you can use tracking to change the visual denseness of type on the page, and kerning to adjust the spacing between pairs of letters. The typography can be set to professional standards with point-size-dependent tracking, kerning in 0.001 –em increments, and expanded and condensed type. PageMaker 7.0 offers precise control over word and letter spacing, hyphenation and justification and text alignment unlike Microsoft Publisher 2002.

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Valiant Recovery: The best Executive Rehab Program Money Can Purchase

An executive rehab program is one designed for executives and experts, who have special needs and higher specifications that must be achieved. A normal rehab program is crowded, has limited remedy methods and alternatives, and delivers inexpensive furnishings plus a employees that is certainly small and usually overworked. An executive rehab program is the exact opposite, with a large staff to consumer ratio, beautiful furnishings and decorations, and treatment methods that happen to be confirmed to become very efficient and first-class. Not all executive rehab programs and amenities are the identical, however they all will have a greater than common price to reflect the amenities and treatment alternatives supplied.

If cash isn’t any object and you want an executive rehab that may offer you the outcomes you might be searching for Valiant Recovery may be the correct selection to your substance abuse treatment requirements. Valiant gives a luxury executive rehab which is the right match with doctors, lawyers, and high degree executives who need to have treatment that works, and who also insist on luxury and complete confidentiality. Individual counseling for numerous hrs every single week is provided, at the same time as group sessions and many other treatment techniques. The executive rehab at Valiant Recovery helps you recover in a peaceful and luxurious environment, so you’ll be able to work by means of your compound abuse issues effectively and finally reach a complete and permanent recovery that lasts. The large staff and modest customer base mean which you receive the personal service and focus which you expect and deserve, rather than just becoming handled like an additional quantity.

The Valiant Recovery executive rehab program is created to overcome all the hurdles that stand among you as well as a future totally free from compound abuse. Numerous executives and pros handle high ranges of anxiety every day, and this strain contributes to drug or alcohol abuse. The executive rehab program that Valiant Recovery offers contains classes and alternatives that could allow you to deal with anxiety properly, and help brief circuit any relapse triggers within the long term ahead of you fall again into the outdated techniques. Anger management courses, stress reduction strategies, along with other strategies can help you make sure that you reach a long term recovery with executive rehab, instead of just benefiting inside the short phrase.

Picking an executive rehab might be hard in case you don’t know which factors are critical. Your good results, or your failure, is dependent upon creating the proper choice when you evaluate the possible executive rehab programs. If you’d like the very best feasible recovery, and the most powerful therapy strategies located anyplace regardless of price, then Valiant Recovery will help. Along with a superior executive rehab program that is certainly extremely powerful and achievement rates which might be incredible, you’ll also find a really comfortable environment, a employees that actually cares about your total recovery, and a luxurious residential treatment facility that will meet even the very best anticipations. Spiritual counseling is also supplied on a weekly basis, to ensure that all the variables that contribute to your compound abuse can be addressed and eliminated.

 

 

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Purchase Adobe Premiere Elements 8 cheap

Adobe Premiere Elements 8 makes significant strides over its predecessor, Premiere Elements 7. Premiere Elements 8 adds file organizing and keywording, plus greater integration with Photoshop Elements, while making it much easier to edit and use videos in style.

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The most obvious (and most welcome) addition to Premiere Elements is the Organizer. Adopted from Photoshop Elements, the Organizer allows you to view, keyword-tag, and organize videos and photos; and when you have the two Elements programs installed, it acts as a conduit to both programs via a single interface. It automates keywording through Auto Analysis of image content (including face recognition) and Smart Tagging (of video quality), starting instantly when you import files. In addition, you can drag and drop tags onto a video while it previews, which can be quite useful since the most The most obvious (and most welcome) addition to Premiere Elements is the Organizer. Adopted from Photoshop Elements, the Organizer allows you to view, keyword-tag, and organize videos and photos; and when you have the two Elements programs installed, it acts as a conduit to both programs via a single interface. It automates keywording through Auto Analysis of image content (including face recognition) and Smart Tagging (of video quality), starting instantly when you import files. In addition, you can drag and drop tags onto a video while it previews, which can be quite useful since the most important content of a movie might not be in the first frame.

You can back up, share, and archive the Organizer database and media files, and even sync them with your other computers, using Adobe’s Photoshop.com wizard from within Premiere Elements (assuming that your other computers have an Elements 8 program installed).

Premiere Elements 8 comes with a Basic membership to Adobe’s photo-sharing site, Photoshop.com, plus 2GB of online storage at the site. If you pay more, you get a Plus membership that includes 20GB of storage, as well as templates and tutorial goodies.

The interface provides two ways to create movies from your video: Instant Movie and manual creation. However, the two aren’t divided processes so much as they are a workflow continuum. Instant Movie can use the new Smart Tags to create a movie, with music and transitions, based on your selected Flash template. Smart Tags attempt to guide the Instant Movie function away from using boring, blurred, or otherwise undesirable clips within the movie. In addition, Premiere Elements 8 offers more customisation tools for Instant Movie, such as sliders to adjust the clip speed and/or the number of effects that will apply automatically. Like any automatic tool, Instant Movie doesn’t always produce great movies. The results do tend to be pleasant, though sometimes rough, with the clip order not always logical or smooth. You may prefer to use Premiere Elements 8’s manual tools to edit the Instant Movie, or to start your own from scratch.

Other automatic tools include Smart Fix, Smart Trim, and Smart Mix. Smart Fix attempts to automatically correct the imperfections, such as an underexposed clip, that Smart Tags has flagged. Smart Trim uses SmartTags to determine which portions of a video should remain and which should go, as well as to weigh the interest of various sections. You can set Smart Trim either to work automatically or to mark the areas of video it recommends for trimming; if you select the latter, you can then manually trim, adjust, or retain pieces, all in an easy-to-use timeline.

Smart Mix balances different sound sources so that the background music doesn’t drown out narration or dialogue. Again, you can override Smart Mix’s choices. In our tests, both Smart Trim and Smart Mix worked seamlessly, taking the drudgery out of critical video editing processes. Smart Fix tended to do a good job on the most obvious fixable problems.

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In Premiere Elements 8, you can now add still photos to movies, even if you don’t have Photoshop Elements installed. The library of templates, effects, transitions, and graphics has expanded, and now includes animated clip art that you can drag and drop into a film clip. Afterward you can add the new Motion Tracking to move objects within the video, making an animated butterfly flit around the head of a skipping child, for instance.

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FrameMaker 9 has been given a typical Adobe makeover. The most obvious change is the shift from the old modal dialogs to new neatly-docking panels, but there are plenty of other improvements. The toolbars are more attractive and have been rationalised. There’s new tabbed document handling and the ability to save panel layouts as workspaces; ideal for technical authoring where you often have to concentrate on very different tasks, like managing structure, handling graphics, organizing review and so on.

The biggest practical interface advance is FrameMaker 9’s new ‘pods’. These are panels docked along the bottom of the screen, that provide centralised control over a document’s cross-references, markers, variables, conditional text and embedded insets. These previously had to be handled individually. As well as allowing you to view and quickly navigate to instances, each pod lets you quickly call up the relevant panel for creating, editing and handling them. In addition, FrameMaker 9 adds a new Fonts pod that displays which typefaces are being used and where, making it simple to replace unavailable fonts.

FrameMaker 9’s new pods are a huge step forward but they are inconsistent, for example in the range of instances shown. Other idiosyncracies and bugs have been introduced too – the new Characters panel for inserting symbols, for instance, looks like it has escaped from a 1970’s Unix mainframe and seems to add any character it fancies. On balance, most existing users will come to embrace the new working environment, especially after a bit of extra customisation, though initially productivity may well dip.

FrameMaker’s great strength is in producing technically-complex documents, but its handling of multiple-component books has always been surprisingly weak.

Major enhancements include the ability to include other file types, such as XML, alongside FrameMaker’s default FM files. You now can group files and use folders and subfolders to nest books and produce hierarchical books. Searching and replacing within books has also been enhanced, as has control over section numbering.

Hierarchical books lets you break flat chapters into sections and sub-sections, but to truly get on top of sprawling technical documentation you need precise control at all levels of the authoring process. This is where XML and FrameMaker’s dedicated Structure view comes in, letting you control all aspects of the organisation of information in your project. Here, the DITA (Darwin Information Typing Architecture) specification has become the standard for typical topic-based handling and FrameMaker 9 adds full support for DITA 1.1 and 1.2 and the use of DITA maps as books. It also adds WebDAV handling so that you can work with server-hosted content management systems just as you do with local files.

The feature in FrameMaker 9 that is likely to gain most attention is its greatly enhanced Acrobat-based review system. Using the new Send for Review command you can email a PDF version of your publication to all workgroup members for comment in the free Adobe Reader. You can then import all comments into your publication and step through them, accepting or rejecting as you go. Bearing in mind the fixed nature of PDF this is extraordinary, but it’s certainly not magical. Comment placement can be hit or miss and it’s crucial that you don’t edit your original FM source file before importing.

Publishing can be done, again, via PDF either as a publishing format in its own right or as a digital master for commercial print. For the former you can make your electronic publications more interactive by embedding 3D models and Flash-based movies, while for the latter FrameMaker 9 now adds full CMYK support. Alternatively, you can output to HTML /CSS for online display.

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The initial version of Premiere Elements placed a consumerish veneer over Premiere Pro and added DVD-authoring capabilities with gorgeous templates (but minimal navigation options or customizability). There were some bright points, like elegant canned titles that matched the DVD templates and strong integration with PhotoShop Elements, but scratch the surface and Premiere Pro showed through. 

This meant a cluttered, floating-window interface; advanced, often obscure controls designed for professionals rather than consumers; and libraries of effects and transitions more suitable for business projects than home movies. In some areas this approach paid dividends, as with Adobe’s awesome shadow/highlight tool (the industry’s best for curing back-lit videos) and great chroma-keying quality.

On the other hand, if you wanted to stabilize handheld video, insert champagne popping transitions between wedding scenes, or add custom-length royalty-free island music to your beach vacation videos, you couldn’t do it. Also unavailable were an audio mixer, narration tools, and the ability to create an MTV-like video production automatically and synchronize it to background music.

In Version 2, Adobe addressed usability, enhanced DVD-authoring capabilities significantly, and added video import support for a range of video devices. But effect and transition libraries are largely unchanged, though some third party options are available. While showing definite improvement, the program still trails Studio in usability and consumer-oriented features.

The most significant interface tweak is a change from floating windows to an adjustable embedded-window arrangement, which lets you drag any window to the desired size without introducing clutter. The default view, with six open windows, is too busy for our liking, but the program supports nested windows selectable via tabs. If you drag the Effects and Effects Properties panels into the project window and close the History window, you’re down to an exceptionally clean three-window interface, though most configuration screens remain scarily reminiscent of the professional controls of Premiere Pro.

Adobe drives workflow with four function-specific taskbars (Capture, Edit, Titles, DVD), each with a custom interface. We adore the organizational capabilities of Premiere Elements’ content bins, which are far superior to Studio’s libraries, but wish they could match Studio’s ability to split and annotate video files before dragging them to the timeline.

Once on the timeline, you’ll find Premiere Elements’ editing tools a model of precision. For example, with Studio’s pan-and-zoom controls, you set one key frame for zoom and position, while with Premiere Elements, you control these parameters separately, which simplifies complex effects. Premiere Elements lacks a real-time audio mixer, however, one of the few tools removed from Premiere Pro that would be truly useful to a home videographer.

Adobe also added a Media Downloader module for downloading video clips from digital still cameras, cell phones, and the like. As with Studio, Premiere Elements can now retrieve videos from non-copy-protected DVDs, an increasingly useful feature now that most video projects are rendered to DVD.

On the DVD authoring front, you can now add either a still image or video background to any or all menus in the project, and add background audio. You can also animate and change the location of any button in a menu and change the font, font size, color, and location of menu titles and text buttons. Also new is support for Dolby Digital audio output as well as for Return to Menu flags, which send viewers back to the main menu after playing sections of the video. While Premiere Elements doesn’t match Studio’s flexibility in DVD design and navigational, its design templates are far superior, and users seeking to create a DVD from a canned template will find Premiere Elements easier to use.

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Adobe Soundbooth CS5 is the sound editing software offered by Adobe, in their Creative Suite 5. It should be the replacement of Adobe Audition , but even though it is a lot simpler to use (since simplicity was one of the main focuses of Creative Suite 5), it doesn’t feel like a digital audio workstation (DAW).

For video editor’s, the audio cleaning abilities are easier to use, so this turn towards simplicity offers them more of what they wanted and less of what they didn’t. So this product doesn’t offer a lot of new stuff, just some usability tweaks.

In this new version, the usage of multiple tracks is a lot easier. There’s also a resizing ability that will facilitate working with many audio layers. This is done really easy, by grabbing the margin between tracks and dragging it up or down (this action will contract or expand the height of audio tracks). Another new command is the Split Clip command that will allow to cut an audio file in two at the timeline marker.

One of the most welcome enhancement is the expanded library of sound effects and customizable scores available via Resource Central. It offers over 9,000 sound effects and 100 customizable scores that are free to download and royalty-free to use. Once downloaded, they can be easily dragged and dropped straight from Resource Central, they can be stretched or modified to fit any duration.

The scores include various parameters that can be edited globally in Basic Editing mode, or finely adjusted in Keyframe Editing mode. The Soundbooth ASND files can be directly imported into Premiere Pro CS5, so that soundtracks can be tested with visual components. and then loaded back into Soundbooth for further adjustments.

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Adobe Captivate 4 (part of Adobe Technical Communication Suite 2) goes far beyond a mere eLearning software package. With it’s new upgrades, the user can create outstanding and professional eLearning interactive projects in no time. In a nutshell, the improvements are SWF commenting, project templates, customizable widgets, round-trip PowerPoint workflow, table of contents and aggregator, text-to-speech functionality, variables and advanced actions, expanded output options, Adobe Photoshop layer support, and streamlined workflows and enhanced usability.

When running an SWF file and you need to add a comment to the timeline, you stop the When running an SWF file and you need to add a comment to the timeline, you stop the slider at the point where you would like add the comment and then save the project.

With the use of placeholders, project templates have been designed to provide subject-matter experts the ability to concentrate more on the subject rather than on the design aspects.

Widgets are created in Flash and imported into Captivate 4 where they can then be customized as a static widget, an interactive widget, or a question widget.

Round-trip PowerPoint workflow allows you to import slides with audio and video attached and keep Captivate and PowerPoint synchronized. If you’re a PowerPoint user, the interface in Captivate will appear the same as you would see in your PowerPoint program. When importing content into Captivate, the files come in embedded and as a link.

You can add a personal touch for the user by using variables that will allow the user to input their own information that will then be repeated throughout the eLearning process.

The Captivate 4 person can add more functionality by accessing Advanced Actions, then specifying conditional actions, or more than one action in an interaction.

With the multilevel table of contents, the user can keep track of where they are as well as track their progress. To make eLearning more cohesive, you can use the aggregator to combine several modules to create a whole course.

Text can be turned into audio using the text-to speech functionality; it’s voice-over technology that creates high quality speech out of typed text. This removes that extra step of having to record and edit actual speech for the course.

Expanded output options consist of publishing to a PDF, AVI, and ActionScript. What does this mean? You can embed Captivate movies inside of a PDF file; embed movies in Flex using ActionScript; output files to be streamed out on the web.

Now you can import Photoshop directly into Captivate 4 and retain the layers for editing purposes.

To streamline workflows and enhance usability, use inline editing for captions; use templates to establish the look and feel of the project; use panning for optimal viewing on small screens and devices; use the right-clicking feature in simulations; drawing tools and image editing tools; and better accessibility options.

The average person will have no trouble in mastering this program and enjoy it’s many benefits it has to offer.

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Adobe CS5 has gone fully 64-bit on the PC for this suite, bringing with it the ability to harness all of the memory available in modern machines along with enhanced threading for multi-core processors.

New Adobe Premiere Pro CS5 Features

So what does Premiere Pro CS5 bring to the table compared to CS4? Well, most of the changes seem to be under the hood. The big difference is the 64-bit native executable, which is likely going to pay off in spades with larger projects. Adobe also likes to cite their Mercury Playback Engine, which is supposed to offer enhanced GPU acceleration even over CS4, and brings some CUDA-accelerated features for owners of workstation-class and high-end Nvidia video cards. Adobe and Nvidia are both a little bit cagey on their secret sauce and unfortunately all the video hardware in my household is ATI, so it’s hard to see any real differences.

One thing that Premiere has always been excelled at compared to the competition is format support, and it only gets better in CS5. The number of formats supported for native editing is bewildering and much appreciated. Final Cut Pro oftentimes requires transcoding just to preview footage on the timeline, something that had been shocking to me when I learned about it in class. Premiere doesn’t. My desktop has always One thing that Premiere has always been excelled at compared to the competition is format support, and it only gets better in CS5. The number of formats supported for native editing is bewildering and much appreciated.

Final Cut Pro oftentimes requires transcoding just to preview footage on the timeline, something that had been shocking to me when I learned about it in class. Premiere doesn’t. My desktop has always scrubbed through 1080i HDV pretty happily, no transcoding or previewing required.

Adobe has also added support for importing projects from Final Cut Pro and Avid, which for some users may be a godsend.

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Adobe® Photoshop® Lightroom® 2 software is designed specifically for professional and advanced amateur photographers. It is an efficient, powerful way to import, process, manage, and showcase large volumes of digital photographs. Lightroom enables you to spend less time sorting and organizing images, so you have more time to actually shoot and perfect them.

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Import, manage, process, and showcase your photographs — from one shot to an entire shoot — with Adobe® Photoshop® Lightroom® 2 software. Master your workflow with powerful sorting, selecting, and organizing tools. Target specific areas of your photos for precise adjustments, or enhance overall color, exposure, and tonal range nondestructively on more than 190 camera raw file formats, as well as JPEG, TIFF, and PSD. Then present your images in dynamic slide shows and interactive web galleries, or use flexible templates to create prints.

Top new features
Local adjustment brush
Enhanced organizational tools
Volume management
Extensible architecture
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Streamlined Photoshop CS3 integration

Enhanced output sharpening Local adjustment brush Enjoy more flexible, accurate enhancements by targeting a specific area of a photo for dodging, burning, and other local adjustments.

Flexible print packages Quickly arrange a photo for printing multiple sizes on one or many pages with flexible and customizable templates to make the most of paper and ink every time you print.

Improved organizational tools Sort and filter large volumes of photos using powerful metadata filters to quickly find just the photo you want.

Nondestructive photo editing Adjust and enhance color, exposure, and tonal curves nondestructively on more than 190 camera raw file formats, as well as JPEG, TIFF, and PSD files.

Streamlined Photoshop CS3 integration Enjoy tight integration with Adobe Photoshop software for streamlined use of Smart Objects, panorama stitching, high dynamic range (HDR) functionality, multiple layer workflow, and more. See your edits automatically updated in Lightroom.

Multiple monitor support Add a second monitor and enjoy more room to work. Support for multiple monitors enables you to configure your workspace to manage image workflow and presentation more efficiently.

Extensible architecture Take advantage of the wide range of plug-ins to help you quickly and easily transfer images to your favorite sharing sites and photo labs.

Volume management Freely manage and organize your images across multiple drives, and continue to work with the high-resolution previews — even when your originals are offline.Batch processing Quickly import large volumes of photos from cameras or camera cards and automatically rename files, organize them into folders, and make nondestructive adjustments. Output sharpening Improve the appearance of your photos with enhanced algorithms that can automatically sharpen photos when you export files or output print and web creations.

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Having prevailed as the software package for budding digital photographers since its initial launch in 2001, Photoshop Elements has undergone innumerable changes over the years, resulting in the honed, sophisticated image editor that we’re featuring in this review.

Photoshop Elements 8 boasts a number of new innovative features in addition to some of the tried-and-tested options that users of its previous incarnation benefited from. One of the potentially most useful time-saving features is the software’s ability to analyse your images and organise them according to their perceived level of quality (low, medium or high), using criteria such as whether they’re in focus or blurred, contrast, exposure and so on. While this is undoubtedly going to cut down on the amount of time you spend on trawling through hundreds of shots of the same subject, cataloguing and rating each in turn, it does remove the human aspect of selecting the best shots; after Photoshop Elements 8 boasts a number of new innovative features in addition to some of the tried-and-tested options that users of its previous incarnation benefited from. One of the potentially most useful time-saving features is the software’s ability to analyse your images and organise them according to their perceived level of quality (low, medium or high), using criteria such as whether they’re in focus or blurred, contrast, exposure and so on. While this is undoubtedly going to cut down on the amount of time you spend on trawling through hundreds of shots of the same subject, cataloguing and rating each in turn, it does remove the human aspect of selecting the best shots; after all, it’s not always technical perfection that produces the best images.

Expanding this feature further, Elements 8 is equipped with a face recognition feature that attempts to locate and tag subjects automatically – potentially a handy tool for social and portrait photographers in particular.

Once the program has finished searching through your images for faces that it thinks match the ones you’ve already tagged, it asks you to check its selections and approve or reject them. We found it to work best for well-lit subjects that are squarely facing the camera, but not at all for subjects that aren’t perfectly exposed or directly looking at the photographer. There’s still some room for improvement, which hopefully the powers that be at Adobe will have realised.
Additional enhancements include a Quick Edit panel that’s now available in Full Screen mode, which lets you make a few basic tweaks to your images without having to load the main editor, but anything more advanced than a quick rotation and crop will require you to do so.

The latest version of Elements offers more powerful editing options than ever before, including adjustment layers that are accessed via a panel that’s reminiscent of the ‘full fat’ Photoshop CS4 program. Also borrowed from CS4 is a new option under the Photo Merge tool: Exposure Mode. This involves the program automatically scanning your bracketing images, picking out the best ones and merging them together for the optimum image. This is great for high-contrast images or shots where you want to combine a flash-lit foreground subject with ambient lighting in the background. The program does a pretty good job of matching up layers, even if you have shifted slightly when taking multiple shots; however, if it does not get it quite right or you want to take matters into your own hands, you have the option to align them manually.

Another exciting option is the Recompose tool, which lets you crop out messy objects or big gaps in the frame without affecting your subjects themselves. For example, take a group shot where everyone is standing close together except one straggler that’s a few paces to one side, then bring them into the group by eliminating that gap for a better composed group shot or – if you prefer – remove them entirely, without leaving a trace in your final image. This feature produces brilliant results for the most part, but we did notice a bit of distortion in some of our recomposed shots, particularly those that involved subjects closer to the camera and images that required larger chunks to be removed.
Adjustment Previews are another worthwhile addition to Elements 8’s feature set, allowing you to check the effect of tweaks you want to perform in the Quick Edit tab. You get to preview full-size images that demonstrate potential changes before picking the one that you want to execute – a quick way of applying a range of edits and a handy learning tool at the same time.

The new interface, editing tools and templates that Elements 8 offers make for a powerful program that developing photography enthusiasts will love.

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Have a gander this awesome tutorial : If a picture is too big for a computer screen, Photoshop can be used to shrink it by changing the resolution or changin…
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