ClipArt Video

Ya i figured it out With a little help from freddiew’s tutorial Muzzle flare links fxhome.com www.howcast.com Smoke poof link facerocker.com end of video

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Some cool adobe premiere images:

FILE0009


Image by Dave Malkoff
Writing in the confrence room

FILE0012


Image by Dave Malkoff
Writing in the confrence room

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by maartmeester

Question by HCW: What video files are compatible with adobe premiere?
I have adobe premiere but it is not compatible with AVI VIDEO files and I need to convert them to a different type of video file. What video files are compatible with adobe premiere?

Best answer:

Answer by Arcking
·Animated GIF (GIF)
·DV-AVI (AVI)
·Filmstrip (FLM) (Windows only)
·Media eXchange Format (MXF)
·Microsoft AVI Type 1 and Type 2 (AVI) (Windows only)
·MPEG-1, MPEG-2 (MPEG, MPE, MPG, M2V)
·M2T
·Netshow (ASF) (Windows only)
·QuickTime (MOV)
·Sony VDU File Format Importer (DLX) (Windows only)
·Windows Media Video (WMV) (Windows only)

Premier is compatible with AVI files, but not all CODECs.

What do you think? Answer below!

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????????? ?? Adobe Premiere CS4, ?????????? ??????. ?????????? ????? ??????, ???????????? ??????, ????? ?? ????? ????? – shtyka.ru

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Mostramos nessa aula como ativar a opção Mercury Playback Engine em computadores que não possuem uma das placas de vídeo indicadas pela Adobe. Atualização para placas de vídeo nVidia: www.nvidia.com.br Atualização para o Adobe Premiere Pro CS5: www.adobe.com Por favor clique em gostei para ajudar na divugação deste trabalho voluntário e também faça sua inscrição para receber nossas atualizações. Obrigado por assistir esta vídeo-aula.
Video Rating: 4 / 5

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by Irregular Shed

Question by Ski: How do I export Adobe Premiere Pro project files for use/importing to Final Cut Pro?
I need to export an Adobe project file to be used in Final Cut Pro, but I’m having a little trouble, can anyone help me? (Adobe Premiere Pro CS4)
I need to know from somebody who has actually done this with Premiere Pro CS4 because the export features are significantly different from previous versions. Thank you for your help.

Best answer:

Answer by silverfox
click on file then on export then set parameter i mean file properties then finally render or export i did it on probably premiere 1.

Know better? Leave your own answer in the comments!

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Adobe Premiere 2.0
Video Rating: 4 / 5

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Some cool adobe premiere images:

IMG_5741


Image by Dave Malkoff
Hartman helps Angie edit the Hurricane Special segment we shot in Key West.

Our Hurricane 2006 one hour special airs:
WFOR-TV (CBS4): Saturday, June 3rd 2006
7:00PM-8:00PM
WBFS-TV (UPN33): Sunday, June 11th, 2006
1:00PM-2:00PM

IMG_5742


Image by Dave Malkoff
Our new editing keyboard…. Thanks to Angie’s brother John for a super birthday present!

NewBlueFX video plugins sampler


Image by ??? TORLEY ???
Get awesome video plugins @ newbluefx.com!

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A few nice adobe premiere images I found:

High speed footage of BMX dudes performing.


Image by ttstam
Taken at the Chase Jarvis Hangar Shoot #2.

Special thanks to Chase Jarvis & Crew for hosting a bunch of photo nuts from the Seattle Flickr Meetup group.

Shot on a Casio EX-F1 – the world’s first consumer-priced (4 figure price tag, instead of 5) camera that is capable of high speed video recording. These videos were shot at 300 frames per second, which at 30fps video frame rate meant a 10x slow motion effect (10 seconds in this video = 1 second in real life).

The technical hurdles to shooting high speed video around this setup is quite daunting. The lighting conditions need to be able to properly expose sequentially a series of frames with shutter speeds of anywhere between 1/500 to 1/2000 sec. The point and shoot’s camera’s design does not allow for a huge maximum aperture (it’s F3.2 – F6.3 or something like that). The sensor is 1 1/8" form factor, which meant unacceptable noise level and loss of color saturation above ISO200. To handle the data, a Class-6 SDHC card is recommended. (You can use Class 4, but it will drop frames). And when the video is being recorded, the computational power drain on the camera is so intense that the camera goes into Helen Keller mode – zoom and autofocus is disabled. The controls are "fly by wire", which meant no manual over-ride.

The footage generated is in AVCHD, which at this time is not supported by Adobe Premiere and I have no way of editing (save for some rudimentary cutting in camera. Yuck).

While I’ve worked out technical solutions to work around these limitations, actually finding time to implement them is quite another thing…

That said, this is a VERY exciting camera. As a former science educator, this is the tool I wish I had when I was mentoring high school physics. It puts the power of slow motion analysis, traditionally a very expensive tool, into the hands of a much bigger population. Very cool.

High speed footage of BMX dudes performing.


Image by ttstam
Taken at the Chase Jarvis Hangar Shoot #2.

Special thanks to Chase Jarvis & Crew for hosting a bunch of photo nuts from the Seattle Flickr Meetup group.

Shot on a Casio EX-F1 – the world’s first consumer-priced (4 figure price tag, instead of 5) camera that is capable of high speed video recording. These videos were shot at 300 frames per second, which at 30fps video frame rate meant a 10x slow motion effect (10 seconds in this video = 1 second in real life).

The technical hurdles to shooting high speed video around this setup is quite daunting. The lighting conditions need to be able to properly expose sequentially a series of frames with shutter speeds of anywhere between 1/500 to 1/2000 sec. The point and shoot’s camera’s design does not allow for a huge maximum aperture (it’s F3.2 – F6.3 or something like that). The sensor is 1 1/8" form factor, which meant unacceptable noise level and loss of color saturation above ISO200. To handle the data, a Class-6 SDHC card is recommended. (You can use Class 4, but it will drop frames). And when the video is being recorded, the computational power drain on the camera is so intense that the camera goes into Helen Keller mode – zoom and autofocus is disabled. The controls are "fly by wire", which meant no manual over-ride.

The footage generated is in AVCHD, which at this time is not supported by Adobe Premiere and I have no way of editing (save for some rudimentary cutting in camera. Yuck).

While I’ve worked out technical solutions to work around these limitations, actually finding time to implement them is quite another thing…

That said, this is a VERY exciting camera. As a former science educator, this is the tool I wish I had when I was mentoring high school physics. It puts the power of slow motion analysis, traditionally a very expensive tool, into the hands of a much bigger population. Very cool.

High speed wipe-out


Image by ttstam
Taken at the Chase Jarvis Hangar Shoot #2.

Special thanks to Chase Jarvis & Crew for hosting a bunch of photo nuts from the Seattle Flickr Meetup group.

Shot on a Casio EX-F1 – the world’s first consumer-priced (4 figure price tag, instead of 5) camera that is capable of high speed video recording. These videos were shot at 300 frames per second, which at 30fps video frame rate meant a 10x slow motion effect (10 seconds in this video = 1 second in real life).

The technical hurdles to shooting high speed video around this setup is quite daunting. The lighting conditions need to be able to properly expose sequentially a series of frames with shutter speeds of anywhere between 1/500 to 1/2000 sec. The point and shoot’s camera’s design does not allow for a huge maximum aperture (it’s F3.2 – F6.3 or something like that). The sensor is 1 1/8" form factor, which meant unacceptable noise level and loss of color saturation above ISO200. To handle the data, a Class-6 SDHC card is recommended. (You can use Class 4, but it will drop frames). And when the video is being recorded, the computational power drain on the camera is so intense that the camera goes into Helen Keller mode – zoom and autofocus is disabled. The controls are "fly by wire", which meant no manual over-ride.

The footage generated is in AVCHD, which at this time is not supported by Adobe Premiere and I have no way of editing (save for some rudimentary cutting in camera. Yuck).

While I’ve worked out technical solutions to work around these limitations, actually finding time to implement them is quite another thing…

That said, this is a VERY exciting camera. As a former science educator, this is the tool I wish I had when I was mentoring high school physics. It puts the power of slow motion analysis, traditionally a very expensive tool, into the hands of a much bigger population. Very cool.

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A few nice adobe premiere images I found:

Starbucks bottle w/ water vs 1000fps air rifle pellet – 1200 frames/sec


Image by ttstam
1200fps. By now, the video is a bit too dark – I should have upped the ISO… or bring in some lighting gear that would require a stand alone generator and putting the fire dept. on standby. Heh.

—

By examining the footage on my bigger LCD and looking at the shadows of the flickering, I determined that the flickering is due to the overhead, magnetically ballasted florescent lighting. I didn’t even think that the overhead lights were an issue, with 2 halogen floods so close to it, but I guess every bit of light helps with these footages.

The amount of light to light this is freakin’ insane. There are 2 Halogen floods, totalling 1.5kW (max allowable on a standard household circuit, before things starts popping) about 2.5 ft away. So close, that the splash from the explosion sizzles off the front glass of the flood lights. I can’t even look in the direction of the lights, and the heat from it is intense. Even then, I have to shoot at ISO400. I guess that’s what you need for 1/600 sec shutter speed at F3. (I know, not a standard f-stop).

And for those who are wondering why I’m not editing out the end of the video… apparently Adobe Premiere does NOT support H264 / AVCHD codec. My first thought: "You’ve got to be f**kin’ kidding me". The most popular codec – YouTube videos and iPhone, as well as Blu-Ray and virtually ALL the HDd / SDHC camcorders on the market uses that codec and Premiere does not support it?

Fortunately VideoLAN player will transcode it into something Premiere can read. Pain in the ass though, and does take away from the "shoot footage, pull mem card and voila, video to edit" magic a bit.

Sunset Time-Lapse at Butte Valley, Death Valley National Park


Image by rmcnicholas
Seven hundred thirty four still images taken at 15 second intervals over 3+ hours. Equipment: Canon 7D, TC-80N3 timer remote.

I had the camera set to aperture-priority and let it choose the exposure length. Unfortunately some shots were much brighter for some reason so near the end there is some unpleasant "flashing". I will go back and try to fix up those frames to make it smoother. And sadly, yes, I bumped the tripod near the end, ironically while trying to add a hanging weight to the tripod to stabilize it in the wind.

Original RAW images were resized to 1620×1080 and converted to JPEG in Photoshop and assembled in Adobe Premiere Elements. Each image repeats for 2 frames, so the original 0.0667 fps shown at effectively 15fps is 225x realtime. (Thanks to DP for the math correction.)

Best viewed full-screen.

(Better quality version available Vimeo.)

My Brother’s Window


Image by Lewis Walsh
Inspired by the almighty Lomokev I finally, after some months searching, acquired an intervalometer for my dSLR. It arrived this morning and so I present my first timelapse film, the obligatory clouds through a window.

These were taken every 30 seconds between 13:00 and 16:30 on July 25th 2009. I then used Adobe Premiere Pro to put them together in a film running at 24fps.

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