Photoshop Elements – How to copy and paste objects into another photo.
This video of the Saskatchewan Roughriders was made using Kenny Chesney’s song “The Boys of Fall” and various pictures and video from TSN, YouTube and public pictures found on various websites.
Video Rating: 4 / 5
Question by andrew: How do I avoid my drop shadow in Illustrator CS4 being obscured by other objects?
I’ve created a drop shadow on some text in Illustrator CS4. However, even when the text is in front of another object the shadow remains behind. This is even true if the text is on a separate layer above the other objects. I must be doing something wrong? Thanks in advance for any help you can give!
Best answer:
Answer by super fast jellyfish
No, a drop shadow will be placed solely on that layer.
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Positioning Flash CS4 Objects in 3D Space: Using the 3D Rotation Tool
With the introduction of the CS4 Professional, Flash has transitioned itself from a mere 2D animation tool to a program that can animate and position objects in three dimensional space. Developers can add perspective to objects in 3D space throughout the development of flash animation.
Flash CS4 has introduced special tools for precise 3D positioning. These tools include the Transform Panel, the 3D rotation tool and the 3D translation tool. The special tools are used for positioning objects in 3D space use three dimensional coordinates. These coordinates include x, y and z axis. Using them will enable you to rotate or add perspective to objects as well as text. A 3D text makes web design flash animation more eye-catchy and attractive. But, to move objects in real three dimensional space, developers need to convert objects as movie clip symbols.
The 3D rotation tool can help you to rotate objects in 3D space. You can also create your own 3D text using this tool. All you need to do is insert a layer and type the desired text on the stage using the text tool. Once the text is created, you have to convert it into movie clip symbol to rotate and position in 3D. You can convert it by selecting the text and choosing modify> convert to symbol.
After converting the text into a movie clip symbol, choose the 3D rotation tool from the tools’ menu. You will see a circular multicolored globe with lines appearing on the instance. This serves as a guide for three dimensional rotation. With the help of these guides, you can easily rotate the object in 3D space. You just have to click on the guides and easily drag to rotate the object.
In today’s flash web design India scenario, Flash CS4 is regarded as a very versatile tool for designing attractive web pages. With the introduction of special 3D tools, flash has opened a new chapter in 3D web designing and animation.
I am the webmaster at www.synapse.co.in – a web design flash animation company in India offering numerous services, such as flash web development, flash scripting, customized applications for the iPhone,and website maintenance services.
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A tutorial showing how to make an animated GIF using images, or altering the state of one image. Hope it helps, Cheers!
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How to Position Flash CS4 Objects in 3D Space
From being a two-dimensional animation tool, Flash, with the introduction of its latest version CS4, has graduated to being a program that can create animations and position objects in 3D space giving web design Flash animation a new look and feel. Many perspectives can be added to objects in 3D space while developing an animation. For a precise positioning of objects in 3D space, special tools such as the 3D translation tool, 3D rotation tool, and the Transform Panel have been introduced with Flash CS4.
These special tools use three dimensional coordinates: x, y, and z axis thereby enabling a designer in adding perspective to texts and objects and also to rotate these texts and objects. Incorporating 3D text to your pages add another element of attraction to your site. For moving objects in real 3D space, first you need to convert the objects into movie clip symbols by going to Modify and selecting Convert to Symbol. After doing so, go to the Tools menu and select 3D rotation tool. A circular multicolored globe with lines is displayed to guide in the task of rotating an object. Follow these simple guides and you will be able to rotate the object in three-dimensional space. In a much similar way, 3D text is created. Having created a text on stage by using the text tool, it is then converted into a movie clip symbol.
Then the procedure mentioned above is followed to rotate and position the text in 3D space. You can rely on Flash web design India to give your sites the best 3D feel. Flash CS4 has, in fact, given a new dimension to development of Flash websites and has opened new doors of opportunities for Flash designers as well as website owners to increase their traffic and business returns.
I am the webmaster at www.synapse.co.in – a Flash web design India company in India offering numerous services, such as flash web development, flash scripting, customized applications for the iPhone,and website maintenance services.
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Building 3D Objects in Adobe After Effects CS5
Adobe After Effects can work with layers in two dimensions (x, y) or three dimensions (x, y, z). So far in this book, you’ve worked almost exclusively in two dimensions. When you specify a layer as three-dimensional (3Dmax tutorial ), After Effects adds the z axis, which provides control over the layer’s depth. By combining this depth with a variety of lights and camera angles, you can create animated 3D projects that take advantage of the full range of natural motion, lighting and shadows, perspective, and focusing effects. In this lesson, you’ll explore how to create and control basic 3D layers. Then, in Lesson 12, “Using 3D Features,” you’ll continue working with this project, adding lights, effects, and other elements to animate the 3D objects and complete the composition, a promotional video for a book.
First, you’ll preview the movie you’re creating, and then set up the project. 1. Make sure the following files are in the AECS5_CIB/Lessons/Lesson11 folder on your hard disk, or copy them from the Adobe After Effects CS5 Classroom in a Book DVD now: * max tutorial In the Assets folder: AEBack.jpg, AEFront.jpg, AESpine.jpg * In the Sample_Movie folder: Lesson11.mov 2. Open and play the Lesson11.mov file to see what you will create in this lesson. When you are done, quit QuickTime Player. You may delete this sample movie from your hard disk if you have limited storage space. When you begin this lesson, restore the default application settings for After Effects. See “Restoring default preferences” on page 3. 3. Press Ctrl+Alt+Shift (Windows) or Command+Option+Shift (Mac OS) while starting After Effects. When asked whether you want to delete your preferences file, click OK. Click Close to close the Welcome screen. After Effects opens to display an empty, untitled project. 4. Choose File > Save As. 5. In the Save Project As dialog box, navigate to the AECS5_CIB/Lessons/Lesson11/ Finished_Project folder. 6. Name the project Lesson11_Finished.aep, and then click Save. Creating the composition The animation you will create in this lesson features a 3D representation of a book about After Effects CS5. First, you’ll set up a composition to model the book. 1. Click the Create A New Composition button (new_composition.jpg) at the bottom of the Project panel. 2. In the Composition Settings dialog box, name the composition Book, and choose NTSC DV from the Preset menu. 3. Choose Square Pixels from the Pixel Aspect Ratio menu, because you will be working with graphics that have square pixels.
4. Enter 10:00 for the Duration, make sure the Background Color is black, and click OK. 3d_11fig02.jpg Click to view larger image Importing assets You’ll use three Photoshop files in this project: images of the front cover, back cover, and spine of the book. 1. Double-click an empty area of the Project panel. 2. In the Import File dialog box, navigate to the AECS5_CIB/Lessons/Lesson11/Assets folder. 3. Shift-click to select the AEBack.jpg, AEFront.jpg, and AESpine.jpg files, and then click Openmax tutorial .
this my site it information has about max tutorial and visit this site.
http://www.free3dvideotutorials.com
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Found Objects as Visual Art: Observations and Application in Oaxaca, Mexico
As a consequence of the innovative thinking of Kurt Schwitters, Pablo Picasso, Marcel Duchamp, Robert Rauschenberg and others, the 20th century bore witness to the concept of found object as visual art becoming a mainstream European and American medium of artistic expression. In the southern Mexico state of Oaxaca, itself known for quality, cutting edge art, found object has received attention over the past 20 years. Take for example the masterful works of Damien Flores, the collages produced by Rodolfo Morales during the final years of his life, and young Mixteco artist Manuel Reyes’ use of archaeological pieces as well as local sands and soils as aids in expressing the strong sense of indigeneity he seeks to impart through his art.
Oaxaca’s 16 native cultures, the diversity of its landscapes and climatic regions, and its rich human history beginning with pre-Hispanic times, continuing through the era of the Conquest, to ongoing 21st century human struggles, provide a diverse, ultra – rich proving ground. Within it, visiting and resident artists, tourists with a bent towards antiques and collectibles, and both expat and native born Oaxacans who are inclined to think out-of-the-box, can readily encounter found objects to incorporate into their aesthetic lives.
Contemporary Manifestations of Found Object as Visual Art
A found object within the context of visual art may be defined as the artistic use of an object, man – made or otherwise, which has not been created for a predominantly artistic purpose. It can be a toaster, a shoe, a car part, a beaded jacket, a newspaper, a simple tool or a farm implement, a leaf or stone, a wrestler’s mask, a clump of clay, or a Coke bottle – empty or full.
One can designate three broad categories of found object which are then transformed into the realm of art:
An object encountered by chance or sought out by design, for the purpose of using it essentially “as found,” to enhance the aesthetic environment of a home, an office, a store or other workplace environment, or a landscape. Of course it can be a featured artwork in an exposition (i.e. Duchamp’s seminal display of a ceramic urinal in 1917) which eventually finds its way into one of the three foregoing contextual environments or as a permanent gallery exhibit.
An object or objects encountered by chance or sought out by design, and incorporated into a traditional piece of art such as an oil or watercolor, for the purpose of enhancing its overall aesthetics, or the imagery its author seeks to impart, or both (i.e. Manuel Reyes’ use of potsherds).
Objects usually sought out by design for the purpose of employing them to create a specific art form, which may or may not include a utilitarian function (i.e. rusted horse shoes made into a wine rack or polished old metal car parts fashioned into a twirling ballerina).
Found Objects in Oaxaca for the Expat Resident and Tourist Alike
Artists resident in Oaxaca should have no difficulty advancing the breadth and quality of their works within the realm of the last two categories noted above. They already have a trained eye and a mind yearning to continually grow in different directions with a view to keeping the art fresh, both on a personal level and for their benefit of public consumption.
It’s the availability of the broadest selection of Oaxacan material culture, objects which can be used “as found,” which should attract the attention of non – artist expat residents and tourists alike. The case can be made within the following parameters:
Middle and upper classes have an eye for a different and often broader continuum of objects which they deem aesthetically pleasing, than working and lower classes.
There is a much larger per capita middle and upper class in the United States and Canada, than in Oaxaca, of which a significant segment of the former is inclined to visit Oaxaca.
It’s relatively difficult for members of those same two classes in Oaxaca, having grown up surrounded by and conditioned to ignore much of their day – to – day material culture (indigenous or otherwise), to appreciate its aesthetic value; they are accordingly less interested in its acquisition.
Based on the foregoing, relative to the American and Canadian phenomenon over the past 50+ years, found objects in Oaxaca have only to a minor extent become deemed collectibles.
The Transformation from Found Object to Collectible
When an object becomes a collectible, its acquisition price tends to increase exponentially. The first time an American saw a discarded or stored away pine foundry form, he probably picked it up for free or at a nominal charge (perhaps its value as firewood). After he took it home, and then cleaned and oiled it and put it on the wall in his den, he began using the found object as art; a piece of wood used to fabricate industrial metal, now adorning an upscale contemporary household.
Foundry forms became collectibles, offered for sale in antique stores and interior design galleries. Much in the same vein, old working wooden duck decoys have been transformed from utilitarian hunting paraphernalia into thousand dollar (and indeed much more) adornments of fireplace mantels; and wooden tongue and groove Canadian Butter and Southern Comfort boxes initially used to transport product from manufacturer to market, have become aesthetically pleasing receptacles to store kindling for those fireplaces.
These days one rarely picks up a foundry form, a decoy or an old wooden advertising box “for a song,” because each has been transformed into a class of collectible. In Canada and the United States, and it is suggested throughout most of the Western World, a solitary found object as visual art is virtually non – existent outside of the context of being offered for sale as art, folk art or otherwise for interior design purposes. On the other hand, objects found for the purpose of either incorporating them into a traditional art form (newspaper comic clippings, potsherds, shoe laces) or fabricating a piece of art using only that class of object (the car part ballerina), will be easily encountered for generations to come, bought outright based on non – aesthetic value, scrounged on the street, or found in a junk yard and purchased by the pound.
Found Objects in Oaxaca Still in Abundance for Aficionados of Art & Aesthetics
Insofar as Oaxaca remains a developing state, with a middle / upper class contingent as previously described (small, generally unconditioned to appreciate a certain level of aesthetics), its realm of collectibles has not reached the level one encounters in the Western World, or even within the Mexico City environs. This provides interesting buying opportunities for visitors to Oaxaca.
Although in each of the three or four downtown Oaxaca antique stores one does encounter found objects, these particular objets d’art have been transformed into collectibles over the past few decades and in some cases merely years (stone metates or grinding stones, well worn ritual masks, pine votive candle holders, chango mezcalero clay painted mezcal bottles, etc.). However, by getting out of the city and knocking on villagers’ doors, and even simply walking along dusty roads, visitors can still stumble upon a treasure trove of found objects which when brought home, with proper placement and juxtaposition are easily transformed into visual art.
Of course residents of Oaxaca are not restricted in the size or weight of what they choose to transform, nor by customs and immigration rules. Hence, one might find in their homes, now as art, an old rusted iron plough adorning a well landscaped garden; or a pine mule saddle riddled with tiny holes evidencing a period of insect infestation, now gracing an interior wall of a new home, draped with colored twine and worn leather parts, all as originally found in a farmer’s shed.
Indeed the traveler on a brief visit to Oaxaca can also return home with a bounty of found object art. The big old rusty plough and the well worn wooden saddle are found objects which today complement the aesthetics of this writer’s Oaxacan home.
Opportunities abound to find smaller found objects, manageable for export, to transform into art, simply by exploring villages in the state’s central valleys. Examples? Just keep a keen eye, and remember to think out-of-the-box.
Alvin Starkman received his Masters in Anthropology in 1978. He thereafter obtain a law degree and embarking upon a career as a litigator until 2004. Alvin now resides in Oaxaca, Mexico, where he writes, leads small group culinary tours to the villages, markets, ruins and other sights, is a consultant to film production companies, and operates Casa Machaya Oaxaca Bed & Breakfast. (http://www.oaxacadream.com ; http://www.casamachaya.com) and Oaxaca Culinary Tours (http://www.oaxacaculinarytours.com).
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Question by r2barrera: How can I recover lost objects and clipart from my excel spreadheet?
I was doing simple programming on an excel spreadsheet. I added control forms, clipart, macros etc..Now when I load in my home computer the spreadsheet, all the clipart, control forms, and comments are gone. The macros are still there. At my work computer, the clipart, control forms and comments are still there. So everything is fine at work. However, I still want to do some work at my home computer on this spreadsheet. Sometimes when opening the xls file at my home computer, there is a message that some data may be lost.
Can someone help me learn why I can load the file perfectly ok at work (with clipart, controls, and comments), but not at my home computer? Thanks for any help
Best answer:
Answer by hotgemini
oooooo r u a artist???????
What do you think? Answer below!
Question by Michael Scott: How do you convert Photoshop CS5 images to Illustrator CS5 objects for use in a perspective drawing?
I want to add photo images to an Illustrator CS5 Perspective drawing and I am having ZERO success. Is there anyway to do this?
Best answer:
Answer by Nahum
It should be simple as using the File > Place command. This will import the PSD as a vector object, allowing you to use transforms and other actions you can do with a bitmap image.
Photoshop in Illustrator: http://help.adobe.com/en_US/illustrator/cs/using/WS714a382cdf7d304e7e07d0100196cbc5f-6566a.html
Know better? Leave your own answer in the comments!
www.video2brain.com In this video, excerpted from Whats New in Adobe Photoshop CS5, author Rufus Deuchler uses a simple question mark to demonstrate how you can quickly transform text (as well as paths, layers masks, and selections) into 3D extrusions, and then bring your extrusion to life by adding Materials and Bevels and applying Scene Settings such as Lights and Mesh Quality.
Video Rating: 5 / 5
This lesson will teach you how to master Smart Objects in Photoshop. Smart Objects protect your pixels when scaling images and are a key tool to help you create the best photos and art possible. Master Photoshop teacher Bert Monroy and author Deke McLellan show you everything you need to know.
Video Rating: 4 / 5
