Cool Adobe Premiere images

Some cool adobe premiere images:

IMG_5741
adobe premiere

Image by Dave Malkoff
Hartman helps Angie edit the Hurricane Special segment we shot in Key West.

Our Hurricane 2006 one hour special airs:
WFOR-TV (CBS4): Saturday, June 3rd 2006
7:00PM-8:00PM
WBFS-TV (UPN33): Sunday, June 11th, 2006
1:00PM-2:00PM

IMG_5742
adobe premiere

Image by Dave Malkoff
Our new editing keyboard…. Thanks to Angie’s brother John for a super birthday present!

NewBlueFX video plugins sampler
adobe premiere

Image by ??? TORLEY ???
Get awesome video plugins @ newbluefx.com!

Q&A: What is a thorough After Effects Guide?

Question by Brock S: What is a thorough After Effects Guide?
I’m looking for a complete guide for Adobe After Effects CS5. And it needs to be a very thorough one. For instance, I want to know how to make a laser effect, so I pull the guide off the shelf and look it up. I see not only how to make the effect, but I also get info on how everything in the effect works, what all of the knobs do, etc. If there is a book like that, what is it called?

Best answer:

Answer by techguru
Well, it’s not a book but for starters you can begin with some free online documentation and see how far that takes you

http://prodesigntools.com/help/CreativeSuite/CS5/Using

Give your answer to this question below!

The Evolution of Music Online | Off Book | PBS Arts

As the 90s came to a close, the business of music began to change profoundly. New technology allowed artists to record and produce their own music and music videos, and the internet became a free-for-all distribution platform for musicians to promote themselves to audiences across the world. The result was an influx of artists onto the cultural scene, and audiences were left wondering how to sort through them all. In this episode we discuss these massive changes, and reveal how music blogs and websites have arisen as the new arbiters of quality. Featuring: Jon Cohen, Co-Founder, FADER Label Ryan Dombal, Senior Editor, Pitchfork Blake Whitman, VP of Creative Development, Vimeo Anthony Volodkin, Founder, Hype Machine Music by: Flex Blur: soundcloud.com/flex-blur Mindthings: jamendo.com/en/artist/mindthings Dub Terminator: jamendo.com/en/artist/DUB_TERMINATOR Nestor Gonzalez: jamendo.com/en/artist/Nestor_Gonzalez Special Location thanks to Converse Rubber Tracks Studio Artists from Music Video Section: Rihanna – We Found Love – vimeo.com/33123323 Miss Eaves – Diva Pop – vimeo.com/34415367 My First Earthquake – We Float – vimeo.com/31941995 Moullinex – Catalina – vimeo.com/19723907 Sleigh Bells – Riot Rhythm – vimeo.com/16668477 Morning Teleportation – Expanding Anyway – vimeo.com/14304059 Da Silva – Les Stations Balnearies – vimeo.com/33569324 Goose – Synrise – vimeo.com/20913850 Tim and Puma Mimi – Perspective – vimeo.com/11742651 DYE – Fantasy – vimeo.com/30798517 Dan
Video Rating: 4 / 5

Cool Illustrator images

A few nice illustrator images I found:

Casual
illustrator

Image by funtik.cat
I created this web promo animation for my friend`s shoe boutique. Software used: Adobe Illustrator CS4, Adobe After Effects CS4, Soundtrack Pro3

Music by Eugene Filatov

101117 Style Icon Awards 2PM

cr: park sang @ vimeo
Video Rating: 4 / 5

www.youtube.com www.hi5.com www.metroflog.com
Video Rating: 3 / 5

Cool Adobe Premiere images

A few nice adobe premiere images I found:

High speed footage of BMX dudes performing.
adobe premiere

Image by ttstam
Taken at the Chase Jarvis Hangar Shoot #2.

Special thanks to Chase Jarvis & Crew for hosting a bunch of photo nuts from the Seattle Flickr Meetup group.

Shot on a Casio EX-F1 – the world’s first consumer-priced (4 figure price tag, instead of 5) camera that is capable of high speed video recording. These videos were shot at 300 frames per second, which at 30fps video frame rate meant a 10x slow motion effect (10 seconds in this video = 1 second in real life).

The technical hurdles to shooting high speed video around this setup is quite daunting. The lighting conditions need to be able to properly expose sequentially a series of frames with shutter speeds of anywhere between 1/500 to 1/2000 sec. The point and shoot’s camera’s design does not allow for a huge maximum aperture (it’s F3.2 – F6.3 or something like that). The sensor is 1 1/8" form factor, which meant unacceptable noise level and loss of color saturation above ISO200. To handle the data, a Class-6 SDHC card is recommended. (You can use Class 4, but it will drop frames). And when the video is being recorded, the computational power drain on the camera is so intense that the camera goes into Helen Keller mode – zoom and autofocus is disabled. The controls are "fly by wire", which meant no manual over-ride.

The footage generated is in AVCHD, which at this time is not supported by Adobe Premiere and I have no way of editing (save for some rudimentary cutting in camera. Yuck).

While I’ve worked out technical solutions to work around these limitations, actually finding time to implement them is quite another thing…

That said, this is a VERY exciting camera. As a former science educator, this is the tool I wish I had when I was mentoring high school physics. It puts the power of slow motion analysis, traditionally a very expensive tool, into the hands of a much bigger population. Very cool. :-)

High speed footage of BMX dudes performing.
adobe premiere

Image by ttstam
Taken at the Chase Jarvis Hangar Shoot #2.

Special thanks to Chase Jarvis & Crew for hosting a bunch of photo nuts from the Seattle Flickr Meetup group.

Shot on a Casio EX-F1 – the world’s first consumer-priced (4 figure price tag, instead of 5) camera that is capable of high speed video recording. These videos were shot at 300 frames per second, which at 30fps video frame rate meant a 10x slow motion effect (10 seconds in this video = 1 second in real life).

The technical hurdles to shooting high speed video around this setup is quite daunting. The lighting conditions need to be able to properly expose sequentially a series of frames with shutter speeds of anywhere between 1/500 to 1/2000 sec. The point and shoot’s camera’s design does not allow for a huge maximum aperture (it’s F3.2 – F6.3 or something like that). The sensor is 1 1/8" form factor, which meant unacceptable noise level and loss of color saturation above ISO200. To handle the data, a Class-6 SDHC card is recommended. (You can use Class 4, but it will drop frames). And when the video is being recorded, the computational power drain on the camera is so intense that the camera goes into Helen Keller mode – zoom and autofocus is disabled. The controls are "fly by wire", which meant no manual over-ride.

The footage generated is in AVCHD, which at this time is not supported by Adobe Premiere and I have no way of editing (save for some rudimentary cutting in camera. Yuck).

While I’ve worked out technical solutions to work around these limitations, actually finding time to implement them is quite another thing…

That said, this is a VERY exciting camera. As a former science educator, this is the tool I wish I had when I was mentoring high school physics. It puts the power of slow motion analysis, traditionally a very expensive tool, into the hands of a much bigger population. Very cool. :-)

High speed wipe-out :-)
adobe premiere

Image by ttstam
Taken at the Chase Jarvis Hangar Shoot #2.

Special thanks to Chase Jarvis & Crew for hosting a bunch of photo nuts from the Seattle Flickr Meetup group.

Shot on a Casio EX-F1 – the world’s first consumer-priced (4 figure price tag, instead of 5) camera that is capable of high speed video recording. These videos were shot at 300 frames per second, which at 30fps video frame rate meant a 10x slow motion effect (10 seconds in this video = 1 second in real life).

The technical hurdles to shooting high speed video around this setup is quite daunting. The lighting conditions need to be able to properly expose sequentially a series of frames with shutter speeds of anywhere between 1/500 to 1/2000 sec. The point and shoot’s camera’s design does not allow for a huge maximum aperture (it’s F3.2 – F6.3 or something like that). The sensor is 1 1/8" form factor, which meant unacceptable noise level and loss of color saturation above ISO200. To handle the data, a Class-6 SDHC card is recommended. (You can use Class 4, but it will drop frames). And when the video is being recorded, the computational power drain on the camera is so intense that the camera goes into Helen Keller mode – zoom and autofocus is disabled. The controls are "fly by wire", which meant no manual over-ride.

The footage generated is in AVCHD, which at this time is not supported by Adobe Premiere and I have no way of editing (save for some rudimentary cutting in camera. Yuck).

While I’ve worked out technical solutions to work around these limitations, actually finding time to implement them is quite another thing…

That said, this is a VERY exciting camera. As a former science educator, this is the tool I wish I had when I was mentoring high school physics. It puts the power of slow motion analysis, traditionally a very expensive tool, into the hands of a much bigger population. Very cool. :-)

Nice Short Movie photos

A few nice short movie images I found:

2007-10 Fast Forward Portugal 2007
short movie

Image by velha-a -branca

2007-10 Fast Forward Portugal 2007
short movie

Image by velha-a -branca

Q&A: How to download clip art to Microsoft Vista. I had it but it disappeared.?

Question by : How to download clip art to Microsoft Vista. I had it but it disappeared.?
When I try to insert clip art into my document or emails, I only show 1 or 2 per category. I know there are more then that because I have used them before. Already searched the web, but nothing helps. Thanks

Best answer:

Answer by Martin S
Are you using Microsoft Works because when I did a search it came up with clip art for that?

Do you need help finding files on Vista? Do you know how to use the Windows search option?

Give your answer to this question below!

Basics of Photoshop Painting

This is a basic overview of my painting process in Photoshop. It’s not impressive looking, but it encompasses the majority of my workflow in just a few minutes. one-vox.deviantart.com www.vandalhigh.com
Video Rating: 4 / 5

I need video installation art help?

video art
by Lodigs

Question by canibustable: I need video installation art help?
My last assessment this year for visual art studies is installation art. I chose video art installation. I need help on what to actually film. How would I go about putting the video together with audio. Art forums links would be appreciated for further assistance. Thanks
Ideas for subject matter

Best answer:

Answer by Sivvus
What’s your subject matter?

If you film with a conventional digital recorder you could then splice it with a simple editing software (e.g. Windows Movie Maker) then you could insert whatever sounds/effects/music you want into it. In terms of practicality, you could use a projector and a simple speaker rig when you’re displaying it.

What do you think? Answer below!